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Alice Randall at the New York Times says that black women have a cultural identity in which they encourage one another to be overweight.
FOUR out of five black women are seriously overweight. One out of four middle-aged black women has diabetes. With $174 billion a year spent on diabetes-related illness in America and obesity quickly overtaking smoking as a cause of cancer deaths, it is past time to try something new.Josephine Baker embodied a curvier form of the ideal black woman.
What we need is a body-culture revolution in black America. Why? Because too many experts who are involved in the discussion of obesity don’t understand something crucial about black women and fat: many black women are fat because we want to be.
The black poet Lucille Clifton’s 1987 poem “Homage to My Hips” begins with the boast, “These hips are big hips.” She establishes big black hips as something a woman would want to have and a man would desire. She wasn’t the first or the only one to reflect this community knowledge. Twenty years before, in 1967, Joe Tex, a black Texan, dominated the radio airwaves across black America with a song he wrote and recorded, “Skinny Legs and All.” One of his lines haunts me to this day: “some man, somewhere who’ll take you baby, skinny legs and all.” For me, it still seems almost an impossibility.
Chemically, in its ability to promote disease, black fat may be the same as white fat. Culturally it is not.
How many white girls in the ’60s grew up praying for fat thighs? I know I did. I asked God to give me big thighs like my dancing teacher, Diane. There was no way I wanted to look like Twiggy, the white model whose boy-like build was the dream of white girls. Not with Joe Tex ringing in my ears.
How many middle-aged white women fear their husbands will find them less attractive if their weight drops to less than 200 pounds? I have yet to meet one.
But I know many black women whose sane, handsome, successful husbands worry when their women start losing weight. My lawyer husband is one.